Review: TarotFest Switzerland 3/6/2017
As we start to create a fabulous programme for our Bi-annual Swiss TarotFest, I thought a perfect time to share our review from 2017. Cannot wait to do it all again.
Please enjoy this beautiful Video by Franzi Sunshine Kindler, it gives a perfect taste of the day https://www.youtube.com/watch?v=6356-imd2rA&feature=share
Almost a year to the day, Wicca and I sat around a table at Castle Liebegg with a mug of coffee and chocolate on the table and discussed the possibility of having a Tarot Festival at the Castle. This weekend I and 7 others flew in from London to experience a year of planning, finally the day had come.
We were on the 7am flight from Gatwick so we all had a 3am start. On arrival at Zurich we took the train to a place called Aarau where we were met by Wicca’s wonderful husband Biba, who took our luggage so that we were free to explore, because of our delayed flight we did not have much time, and had a quick lunch before getting on another train to start our VIP journey, a private tour of the Witchcraft Museum. http://www.hexenmuseum.ch/ Wicca is a true inspiration, not only does she speak English beautifully, her dedication to her Museum is remarkable. Now, I am not going to tell you much about this, as next year the Museum moves to Castle Liebegg and I strongly recommend you go for yourself, but as a private group we were given the absolute privileged to experience an important part of Lenormand history. Mind blowing! After we finished the tour, we were driven to the hotel where a huge pile of Swiss chocolate was waiting for us with a hand written note from Wicca welcoming us to Switzerland. That evening Wicca, Biba and the lovely Isobel joined us all for dinner where we sat outside on a warm evening eating pizza, laughing and enjoying the energy of this lovely place. We were shattered at the clock ticked towards 10p.m., tomorrow was going to be a day to remember.
David Wells and I arrived at the Castle early on Saturday, the sun was shining, the birds were singing and the energy was beautiful. Lots of hustle and bustle from Wicca’s team of helpers who worked so hard throughout the day ensuring that everything ran smoothly. Wicca opened the Festival by making announcements in German then I did the same in English, then she did a meditation and blessing to start the day.
I kicked off the day with a workshop on how to connect with spirit through the cards, I had everyone work out their birth card and what it meant to them, and we used this card as a significator to ask a question. Followed by a coffee break the next workshop was with Kirsten Buchholzer, I was unable to attend as I had a reading but the feedback was great.
Lunch was served in the Castle grounds, the sun was still shining as we sat under umbrella’s talking Tarot and enjoying the freshly prepared food. There was plenty of everything which is how I managed to put on 2lb in two days! (Tarot diet started today)
After lunch the workshop was hosted by Wicca who showed us how to create a Tarot spell, this was such fun as we were all covered in glitter and the finished item was something for us all to take home. It was a delight to meet with Susanne Zitzl, what a lovely lady, again speaking beautiful English, her work is going to be published in English hopefully later this year, although Susanne may not be so familiar to us in the UK please look her up, she has done some amazing work. After a welcome break Regula Elizabeth Fiechter hosted the next workshop, I took an English meditation group whilst this was going on, but was delighted that Regula gave me the 4 ‘missing’ cards from the Mystical Lenormand deck and a signed book from her and artist Urban Trosch whom I had the privilege of meeting.
Our David Wells was the final speaker of the day, a lovely reading using the Tree of Life, so many things made sense. Wicca and I emotionally closed the Festival with a huge thankful heart and a feeling that we had done it! I haven’t even mentioned the Market Place where I purchased a lovely Goddess made from Tiffany glass, if I had room in my luggage I would have spent a fortune.
I have to give a huge thank you to Wicca, Biba and her team, I could NEVER have done this without them and I owe them so much. The organisation was amazing and the day ran effortlessly, the venue is breath taking and I know many tears were shed throughout the day because of release and joy. There was much laughter this weekend that I cannot share with you (too naughty) but every emotion was experienced, this is a very special place.
I feel so truly blessed today to have made new friends from Switzerland, Germany and the US. In fact the day was so good, we are going to do it again in 2019. As I said next year the Witchcraft Museum opens in the Castle and I know our TarotFest will go from strength to strength. Everything is looking very positive for the future.
That is all for now, I have to spend time on my October UK Tarot Conference, and I am buzzing with ideas!
“I just wanted to thank you for the organisation of our own Swiss Tarot Fest. It has been a marvellous day with very fascinating speakers and workshops (not forgetting the wonderful opportunity to book a reading with the speakers!). Even though some of us don’t know the tarot cards as good as you guys do, it was very well explained in the sessions and I had really lots of fun and learned quite a lot (beside spending way too much money shopping at the market!). I’m very much looking forward to the next Tarot Fest here in Switzerland and will most certainly spread the word around. 😉 Kindest regards and thank you again!” Ines
TarotFest Switzerland coming 2019 please register your interest for updates.
Margate and TS Eliot & The Wasteland (who knew)
I only recently found out that this very shelter, about 5 miles from where I live, is where T S Eliot wrote some of his famous lines from the Wasteland. In 1921, after suffering a nervous breakdown he came to Margate to recuperate, in this very spot he allegedly spent many hours pondering and writing. I don’t think the extract below was the actual part he wrote whilst he was here, more likely the part about poverty, Margate has long been known as a dump. However, this delapidated shelter looks out to sea, and in the evening you will see beautiful sunsets so famously painted by Turner. I am sure the sea air and warm summers played a key part in his recuperation. I can remember as a child spending many happy summer days on the beach just metres from this shelter. Margate has been through some tough times, and is now under regeneration with some wonderful results, in fact it is becoming trendy again. However, it does seem a shame that one of the greatest poems written in the 20th century does not have any recognition here in Margate, more likely to have his name etched through a stick of rock than a celebration plaque for all to see.
I can’t claim to be a Margate girl (actually I wouldn’t want to lol) as I was born in London, but my family moved here when I was a child and it was a thriving seaside town. I am now curious to find out more about this famous poet and his association with the Town. So why is this written in my Tarot Blog? Read on, a short extract from The Wasteland.
The Waste Land 1 The Burial of the Dead (Extract)
Madame Sosostris, famous clairvoyante,
Had a bad cold, nevertheless
Is known to be the wisest woman in Europe,
With a wicked pack of cards. Here, said she,
Is your card, the drowned Phoenician Sailor,
(Those are pearls that were his eyes. Look!)
Here is Belladonna, the Lady of the Rocks,
The lady of situations.
Here is the man with three staves, and here the Wheel,
And here is the one-eyed merchant, and this card,
Which is blank, is something he carries on his back,
Which I am forbidden to see. I do not find
The Hanged Man. Fear death by water.
I see crowds of people, walking round in a ring.
Thank you. If you see dear Mrs. Equitone,
Tell her I bring the horoscope myself:
One must be so careful these days.
Lady Frieda Harris Rare Posters
If you have attended the UK Tarot Conference in the past you will know that we have an amazing auction which helps to raise money for our Bursary fund. This year we have something quite special. I am not sure at this stage if both or just one poster will be up for auction but please contact me if you are interested.
The Harris collection: A rare set of 2 out of 3 Freemason posters known as Tracing Boards. Each depict what’s known in craft Freemasonry as the First, Second and Third Degree boards and represent a codified example of moral, intellectual and spiritual development. This set of tracing boards are unique in that they were drawn by Lady Frieda Harris to which only a few hundred were made and even fewer that remain in excellent condition. The Tracing Boards are from a time when Harris was a Co-Mason:
Co-Masonry is, in brief, an offshoot of the Theosophical Society that, admits both men and women into Co-Masonic Lodges. Because Co-Masonry operates in breach of the landmarks of the United Grand Lodge of England, by admitting women, it has never been recognized as a regular branch of the society of Freemasons by regularly constituted bodies. Many regular Masons, however, appreciate the history of the Co-Masonic order and the sincerity of purpose and valuable philosophical contributions made by individual members of Co-Masonry, including Lady Harris’s renditions of the Tracing Boards… These evocative interpretations of the First, Second and Third Degree Tracing Boards were originally painted by Lady Frieda Harris. The designs incorporate the symbolism of the traditional Tracing Boards, but are distinctive for their modernity, and use of dynamic symmetry in rendering the designs
[Harris’s] designs were undoubtedly influenced by her artistic training and experience. In 1937, Lady Harris began studying Projective Synthetic Geometry under the direction of Olive Whicher and George Adams based on the teachings of Rudolf Steiner and Goethe. Frieda Harris also had utilized Projective Synthetic Geometry in her work designing the Thoth Tarot cards for Aleister Crowley: These cards were completed for exhibition in approximately 1942. She had considerable talent in esoteric art works. -Freemasons of California, Mill Valley Lodge 356
The 2 posters (24ins x 14ins, c. 1975) are framed, under archival glass and in excellent condition.
A rare set of 2 out of 3 Freemason posters known as Tracing Boards. Each depict what’s known in craft Freemasonry as the First, Second and Third Degree boards and represent a codified example of moral, intellectual and spiritual development. This set of tracing boards are unique in that they were drawn by Lady Frieda Harris to which only a few hundred were made and even fewer that remain in excellent condition. The Tracing Boards are from a time when Harris was a Co-Mason:
Co-Masonry is, in brief, an offshoot of the Theosophical Society that, admits both men and women into Co-Masonic Lodges. Because Co-Masonry operates in breach of the landmarks of the United Grand Lodge of England, by admitting women, it has never been recognized as a regular branch of the society of Freemasons by regularly constituted bodies. Many regular Masons, however, appreciate the history of the Co-Masonic order and the sincerity of purpose and valuable philosophical contributions made by individual members of Co-Masonry, including Lady Harris’s renditions of the Tracing Boards… These evocative interpretations of the First, Second and Third Degree Tracing Boards were originally painted by Lady Frieda Harris. The designs incorporate the symbolism of the traditional Tracing Boards, but are distinctive for their modernity, and use of dynamic symmetry in rendering the designs
[Harris’s] designs were undoubtedly influenced by her artistic training and experience. In 1937, Lady Harris began studying Projective Synthetic Geometry under the direction of Olive Whicher and George Adams based on the teachings of Rudolf Steiner and Goethe. Frieda Harris also had utilized Projective Synthetic Geometry in her work designing the Thoth Tarot cards for Aleister Crowley: These cards were completed for exhibition in approximately 1942. She had considerable talent in esoteric art works.
-Freemasons of California, Mill Valley Lodge 356
The 2 posters (24ins x 14ins, c. 1975) are framed, under archival glass and in excellent condition. They were purchased in the UK from the reputable collector of occult books and art. These posters have their own history. The original paintings were acquired by British Occultists in the 1970’s. Around 1976 a few hundred sets of these posters were printed. This is the only publication of these designs that there has been. Posters survive far less well than books, which are only rarely pinned to walls! Moreover posters are not collected by libraries, and their existence is not recorded in catalogues and bibliographies.
Review: The Guardian Angel Oracle by Chrissie Astell
By Chrissie Astell , Illustrated by Rene Milot – Published by Watkins (RRP £15.99)
Another deck of Angel Oracle cards hits the shelves, this is a topic which seems to just keep on giving. It interests me, as in how much there is still to offer from the Angel world and I am delighted that these cards deliver something different. Having met the lovely Chrissie Astell a few years back, I know the essence of the lady, kind, gentle, compassionate and without ego and all these qualities are reflected within the 52 cards.
There is a simple beauty within each card, just a word describes each illustrated Angel. The colours are clear and bold and although to some degree quite simple, you can lose yourself in the image to work on a deeper level of clarity.
I used these cards with my meditation group and the messages flowed, many of the cards chosen at random had deep and personal meanings for some of the group. Everybody enjoyed working with them.
I like the idea of using this deck for pulling a card a day for guidance. The accompanying book explains how else they can be used. Lots of ideas for spreads, affirmations and meditation, each card has a quote for each Angel, a box outlined on each page explaining the symbols, along with a brief description, which in my opinion is more than enough, I prefer the idea of tuning in and allowing your own intuition to flow. You cannot fail to connect on some level with these cards, even if you think you are not intuitive, they work.
Watkins have produced a lovely set, lovely quality box and cards, it looks far more valuable that the £15.99 price.
If you like the idea of Angel Oracles then I highly recommend you add this to your collection, you will not be disappointed.
When you just can’t say NO!
It has been a strange and difficult few months, with the decline of my father’s health I made a choice that I would pretty much stop work and help to look after him. His passing on the 29th January was the biggest tragedy of my life to date. I know I should be grateful that I have been blessed with both my parent’s at my age, but it does not make it any easier when the time comes for them to leave this earth. I have done a lot of soul searching since his passing, I imagine some of you on a spiritual path also question what happens next when it actually happens to someone you love. I have to admit I am struggling with any concept of afterlife at the moment, it just feels like a huge void.
The thing about Tarot is that it does not matter what your beliefs are, whether you are spiritual or not, because the cards understand, they can be both gentle and cruel in their messages. But I have found much comfort in my cards of late. I am digressing …… what I really wanted to talk about was how sometimes things fall in to place just at the right time. Out of the blue, an opportunity to buy TWO unique pieces of art (print) by Pamela Colman Smith came to me. I did not hesitate to purchase one. The print was the original used for the publication of ‘The Golden Vanity’ published in 1903 by Doubleday & McClure, once used, these original prints were exhibited between 1905 and 1907. What happened to them next I do not know. The person I purchased them from also bought them in auction some years back, so when I have time, I will do some research and track their journey.
On arrival of the print, it was more amazing than I dared dream, I could feel its energy, something very special about the picture, just as in the RW tarot deck, each time I look, I see new symbols and details, I cannot stop looking at it. It must have taken a whole ten minutes before I decided to buy the second one. All good, except the price had doubled. I sat on the sellers suggestion of an offer which was a lot to find, then went back with my one and only take it or leave it offer. After a few hours she came back to me and accepted, one of the ‘provisions’ was that I would not hide these from the Tarot world, that anyone interested in Pamela would be able to see them. I agreed, today the second print has turned up, it is as fascinating at the first. Time allowing I hope to have these on display at the London Tarot Festival on June 2nd along with more information. I am thrilled that Mary K Greer will be speaking at the Festival about the life of Pamela Colman Smith as with Geraldine Beskin at the Conference in October. Although Pixie did not get the recognition she deserved in her lifetime, we will make sure she is never forgotten in ours.
